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Currnet Biography - October 2004
 

Rachael Ashwell, designer and entrepreneur

"A home can be truly lived in and still be lovely," the interior designer and entrepreneur Rachel Ashwell declared on her Web site, shabbychic.com. "I believe in cozy relaxed settings where kids are free to put their feet on the sofa and guests can place their cups on the coffee table without a care. For me, the secret to living well is to surround myself with beautiful things that are practical and deliciously comfortable." Ashwell is the founder and owner of Shabby Chic, a chain of six stores and a line of products for the home. Launched in 1989 with one store, in Santa Monica, California, Shabby Chic has grown into a mini-industry that, in 2003, grossed $15 million and encompasses the manufacture of furniture, bedding, household accessories, and clothing sold in hundreds of retail establishments in addition to the Shabby Chic shops; many items sell through the Internet as well. As of 2004 Shabby Chic had grown from a one-woman business to an operation with 125 employees, among them Brian Dell, the company's president; Ashwell still serves as the firm's sole designer and buyer. Since 1999 Ashwell has also hosted a television program, Rachel Ashwell's Shabby Chic, currently broadcast on the Style network, and she has written five coffee-table books: Shabby Chic (co-authored by Glynis Costin, 1996), Rachel Ashwell’s Shabby Chic Treasure Hunting and Decorating Guide (1998), The Shabby Chic Home (2000), Shabby Chic: The Gift of Giving (2001), and Shabby Chic: Sumptuous Settings and Other Lovely Things (scheduled for publication in November 2004).

The apparently oxymoronic term "shabby chic" (which, as a proper name, she has trademarked) identifies Ashwell's style, which calls for decorating one’s home with gently worn antique furnishings--or new tables, chairs, sofas, beds, bureaus, rugs, lamps, and other items constructed, as Ashwell specifies, to look like serviceable secondhand household effects reminiscent of bygone fashions. In the belief that a home should have a lived-in air and serve as a cozy "cocoon," she favors sofas with extra-puffy cushions (which one need not feel obliged to plump up after people have sat on them), tables with small dents and other imperfections, and lots of flowers—preferably, English roses, which add further to the ambience when they begin to wilt. The style "bespeaks old-money, upper-class pleasure . . . ," Amy Wilson wrote for the California Orange County Register (December 10, 2001). "It’s eclectic, ostensibly mismatched and flea-market driven, but has been reworked by Ashwell to be the essence of comfortable wealth, without all that requisite priss, pretension or primogeniture." (Wilson added, parenthetically, "Which does not mean it’s cheap.") In the Los Angeles Times (July 29, 1999), Mimi Avins observed, "Many of the women who want to own . . . Shabby Chic home furnishings are also, consciously or unconsciously, buying a piece of the image [Ashwell] projects: a hard-working mother who values beauty, comfort and practicality but has neither the patience nor inclination to insist on perfection."

To ensure that nonmatching furniture and accessories do not clash or look haphazard, Ashwell sticks to a palette of whites, creams, pale pinks, pale blues, and pale sea-foam greens. For simple, inexpensive maintenance, she advises covering wooden furniture with glossy or semi-gloss paint (white, preferably) and protecting upholstered chairs and sofas with washable slipcovers, made with the launder-friendly, vintage-style fabrics that Shabby Chic markets. "I think one of the secrets of [Shabby Chic’s] success is that it’s such an easy style to live with, and it’s easy on the eye," Ashwell told Gabrielle Fagan for the Irish News (March 24, 2003). "The key ingredients are beauty, comfort and function. I believe nothing should be so precious that it can’t be touched, and everything should not simply look lovely but should be useful. One should live in and around one’s possessions and not be dominated by them."

Ashwell was born Rachel Greenfield on October 30, 1959 in Cambridge, England, and raised in London. Her father, Elliott Greenfield, is Jewish; her mother, Shirley, is Christian. She has an older sister, Deborah Greenfield, who has illustrated two of Ashwell's books. Deborah Greenfield is a prize-winning choreographer and flamenco dancer; she founded and directs the dance company Rosa Negra Flamenco. The sisters' father was a book dealer who specialized in rare, old editions; their mother bought, restored, and then resold antique dolls and teddy bears. While the girls were growing up, they accompanied their parents on hundreds of trips to flea markets, antique fairs, and other places where their father and mother bought most of their merchandise. In her mother’s case, this included old lace and other materials necessary for constructing new but old-looking apparel for vintage dolls. "I saw [my parents] both treasure hunting, if you like, and turning it into an entrepreneurial thing," Ashwell explained to Mimi Avins. She told Rachel Bridge for the London Sunday Times (February 29, 2004), "Following my father around the markets taught me how to make quick decisions" about what was or was not worth buying. "My mother taught me how to restore without ruining the integrity of the piece, and without taking it so far that it was this slick unrecognisable new thing." In fixing antique dolls, Ashwell told Avins, her mother "knew just when to stop . . . , and I liked that she wouldn’t make them quite perfect."

By the time she had entered her teens, Ashwell herself was selling antiques in London markets. She dropped out of school at 16 and, by age 19, had moved to Los Angeles, California. There, despite her lack of a high-school diploma, she found work as a wardrobe stylist and set designer for TV and film companies and producers of commercials. According to Mimi Avins, she specialized in period settings. "What she lacked in formal education she made up for with taste, grit and inventiveness," Avins wrote. Sometimes, Ashwell recalled to Bridge, she would "driv[e] around Sunset Boulevard in the sunshine, seeing big houses and cars, and thinking this is the land of opportunity."

During the 1980s Ashwell married a man who directed commercials. She was a full-time homemaker and mother, raising a toddler and an infant, when, during the second half of that decade, she and her husband divorced. Unwilling to take on jobs like those she had had earlier, because of the overly long hours they required, she cast about for another way to earn a living. Interior decorating struck her as a viable option. The attractiveness and practicality of the slipcovers with which she had covered her sofa and chairs after the birth of her first child had elicited compliments from her friends, some of whom had expressed the desire to own such slipcovers themselves. (Various sources imply that she herself made the slipcovers, but in an interview with Amy Wilson, she said, "I don’t actually sew." She has also admitted that she isn’t especially "handy" when it comes to refinishing furniture.) Banking on the appeal of her design ideas to a wider audience, in 1989 Ashwell borrowed $50,000 from her ex-husband (which she later repaid) and opened a home-furnishings shop in Santa Monica, California. She named the store Shabby Chic and stocked it with about $30,000 worth of items, primarily slipcovers and antique furniture that she had bought at flea markets and then had refinished and/or recovered, using fabric that she had "aged" by laundering them with tea-colored water in her washing machine. Everything sold within a few weeks. Recalling the beginnings of her business, she told Bridge, "I knew about fabrics, and vintage, but nothing about business, and my lessons have been my experiences. Now when I open a store I know I need [money for] expenses and working capital, but the first store I worked out on a piece of paper. If a table sold, it didn’t occur to me that I needed another one. . . . In a funny kind of way the innocence of how I did it, rather than being big and slick, was what spoke to people."

By 1991 Ashwell had opened two additional stores, one in New York City and the other in San Francisco, California. Since then she has added three more, in Chicago, Illinois, and Malibu and Newport Beach, in California. Whereas she originally sold only secondhand goods, the necessity of replenishing stock quickly and her lack of sufficient time to accomplish that through flea-market purchases led her to turn to the manufacture of furniture and other "shabby-chic" items of her own design. She has steadily expanded her inventory to include such products as lampshades, chair cushions, ottomans, bedding, fabrics, and tote bags. Shabby Chic Baby offers such merchandise as cribs, changing tables, blankets, crib bumpers, lamps, and bibs. Also available, through Shabby Chic Studio, is slipcovered furniture that is less expensive than other Shabby Chic furniture. Shabby Chic and even Shabby Chic Studio prices might be described as upscale: as of mid-August 2004, according to its Web site, the price of one style of 16-by-12-inch Shabby Chic lampshade was $180; a small lampshade for a chandelier bulb, $72; a flowered, ruffled, standard-size pillowcase, $78; the baby bib, $20; and the changing table, $275 (with pad and pad cover costing an additional $50 and $78, respectively). In February 2004 Simply Shabby Chic, a collection of less costly Shabby Chic home furnishings and bedding that Ashwell designed exclusively for Target stores, became available.

Ashwell's celebrity devote´es are said to include Madonna, Julia Roberts, Oprah Winfrey, and Anthony Hopkins. She has served as a decorator for the actress and singer Jennifer Lopez twice: in 2003, for Lopez's restaurant, Madre's, in Pasadena, California, and in 2004, for Lopez's wedding, held in her backyard, to the actor Marc Anthony. Although Ashwell has often been compared to the famous doyenne of interior decoration Martha Stewart, their philosophies and approaches differ significantly. In demonstrating home-decorating projects, for example, Stewart strived to hide any imperfections in the items she was working on; indeed, the goals of many of her projects were to hide defects in household articles. Ashwell, by contrast, believes that there is beauty in imperfection. She said to Mimi Avins, "That philosophical base can be applied to all kinds of things. Everything you do. What you wear. How you live." In addition, as Ashwell said to Amy Wilson, Martha Stewart "can tell you how to grow the wheat to make the bread that she puts on a plate; I can tell you to take things out of the freezer and how to arrange them beautifully on a plate."

Ashwell and her daughter, Lily, and son, Jake, live in Malibu, California. Photos of her house, which she remodeled several years ago, appear in her book Shabby Chic Home.

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